This portrait marks the beginning of Klimt’s geometric period. The realistic rendering of the subject’s face and hands creates a striking contrast against the flat, mosaic-like patterns of her armchair. The L-shaped composition and empty space emphasise a refined, aristocratic silence while showcasing Klimt’s mastery of Art Nouveau decorative balance. The stylised semi-circle behind her head, which looks like a futuristic halo, is actually a representation of a high-backed armchair.

Studio Gallery Frame in black; acrylic safety front; ready-to-hang option.

Gift-ready, arriving hand-wrapped in acid-free tissue paper. Plastic-free packaging.

Image CC0.