Elegant 1839 lithograph of Camellia estherii by Mr.J.J.Jung. This artwork highlights the intricate layers of the creamy white blossom with subtle gray shading, set against dark glossy foliage. A perfect embodiment of 19th-century botanical refinement and grace. The detail you see in Mr.J.J. Jung’s work was achieved through lithography (printing from stone). Unlike earlier woodcuts, lithography allowed for microscopic detail. These artists had to be part-scientist; they often dissected the flowers to ensure the stamens, pistils, and leaf veins were anatomically perfect so that botanists could use the art to identify real plants in the field.

Prints with serious tactile weight and archival longevity, beautifully detailed with consistent colour and exceptional quality across all size formats.

Studio Gallery Frame in 'black' and 'light oak'; acrylic safety fronts; ready-to-hang options.

Gift-ready, arriving hand-wrapped in acid-free tissue paper. Plastic-free packaging.

Image Source: Public Domain Mark 1.0 / CC0.

Print only; A4, A3, A2 and A1.

Print framed; A4, A3, A2 and A1.

Print framed with window mount; A4 print window mounted in an A3 frame, or A3 print window mounted in an A2 frame, or A2 print window mounted in an A1 frame.

Please let us know if you require bespoke sizing requirements

For A4 and A3 prints we use 270gsm Mohawk Superfine paper media.

For A2 and A1 prints we use 270gsm Etching Cotton paper media.

To protect our prints we use shatter-resistant acrylic.

To frame our prints we use solid wood frames or engineered wood.

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